Thursday, July 18, 2019
Animal Farm by George Orwell Essay
Animal Farm is an allegorical novella by George Orwell published in England on 17 August 1945. According to Orwell, the book reflects events leading up to and during the Stalin era before the Second World War. Orwell, a democratic socialist,[1] was a critic of Joseph Stalin and hostile to Moscow-directed Stalinism, especially after his experiences with the NKVD and the Spanish Civil War.[2] In a letter to Yvonne Davet, Orwell described Animal Farm as his novel ââ¬Å"contre Stalinâ⬠.[3] The original title was Animal Farm: A Fairy Story, but the subtitle was dropped by U.S. publishers for its 1946 publication and subsequently all but one of the translations during Orwellââ¬â¢s lifetime omitted the addition. Other variations in the title include: A Satire and A Contemporary Satire.[3] Orwell suggested the title Union des rà ©publiques socialistes animales for the French translation, which recalled the French name of the Soviet Union, Union des rà ©publiques socialistes sovià ©tiques, and which abbreviates to URSA, the Latin for ââ¬Å"bearâ⬠, a symbol of Russia.[3] Time magazine chose the book as one of the 100 best English-language novels (1923 to 2005);[4] it also places at number 31 on the Modern Library List of Best 20th-Century Novels. It won a Retrospective Hugo Award in 1996 and is also included in the Great Books of the Western World. The novel addresses not only the corruption of the revolution by its leaders but also how wickedness, indifference, ignorance, greed and myopia corrupt the revolution. It portrays corrupt leadership as the flaw in revolution, rather than the act of revolution itself. It also shows how potential ignorance and indifference to problems within a revolution could allow horrors to happen if a smooth transition to a peopleââ¬â¢s government is not achieved. Plot summary Snowballââ¬â¢s revolution Old Major, the old boar on the Manor Farm, calls the animals on the farm for a meeting, where he compares the humans to parasites and teachesà the animals a revolutionary song, ââ¬ËBeasts of Englandââ¬â¢. When Major dies two young pigs, Snowball and Napoleon, assume command and turn his dream into a philosophy. The animals revolt and drive the drunken and irresponsible Mr Jones from the farm, renaming it ââ¬Å"Animal Farmâ⬠. They adopt Seven Commandments of Animal-ism, the most important of which is, ââ¬Å"All animals are equalâ⬠. Snowball attempts to teach the animals reading and writing; food is plentiful, and the farm runs smoothly. The pigs elevate themselves to positions of leadership and set aside special food items, ostensibly for their personal health. Napoleon takes the pups from the farm dogs and trains them privately. When Mr Jones tries to retake the farm, the animals defeat him at what they call the ââ¬Å"Battle of the Cowshedâ⬠. Napoleon and Snowball struggle for leadership. When Snowball announces his idea for a windmill, Napoleon has his dogs chase Snowball away and declares himself leader. Napoleonââ¬â¢s rule Napoleon enacts changes to the governance structure of the farm, replacing meetings with a committee of pigs, who will run the farm. Using a young pig named Squealer as a ââ¬Å"mouthpieceâ⬠, Napoleon announces that Snowball stole the idea for the windmill from him. The animals work harder with the promise of easier lives with the windmill. After a violent storm, the animals find the windmill annihilated. Napoleon and Squealer convince the animals that Snowball destroyed the windmill, although the scorn of the neighbouring farmers suggests that the windmillââ¬â¢s walls were too thin. Once Snowball becomes a scapegoat, Napoleon begins purging the farm with his dogs, killing animals he accuses of consorting with Snowball. He and the pigs abuse their power, imposing more control while reserving privileges for themselves and rewriting history, villainising Snowball and glorifying Napoleon. Squealer justifies every statement Napoleon makes, even the pigsââ¬â¢ alteration of the Seven Commandments of Animalism. ââ¬Å"No animal shall sleep in bedsâ⬠is changed to ââ¬Å"No animal shall sleep in beds with sheetsâ⬠when the pigs are discovered to have been sleeping in the oldà farmhouse. ââ¬Å"No animal shall drink alcoholâ⬠is changed to ââ¬Å"No animal shall drink alcohol to excessâ⬠when the pigs discover the farmerââ¬â¢s whiskey. ââ¬ËBeasts of Englandââ¬â¢ is replaced by an anthem glorifying Napoleon, who appears to be adopting the lifestyle of a man. The animals, though cold, starving and overworked, remain convinced that they are better off than they were when under Mr Jones. Squealer abuses the animalsââ¬â¢ poor memories and invents numbers to show their improvement. Mr Frederick, one of the neighbouring farmers, swindles Napoleon by buying old wood with forged money, and then attacks the farm, using blasting powder to blow up the restored windmill. Though the animals win the battle, they do so at great cost, as many, including Boxer, are wounded. Despite his injuries, Boxer continues working harder and harder, until he collapses while working on the windmill. Napoleon sends for a van to take Boxer to the veterinary surgeonââ¬â¢s, explaining that better care can be given there. Benjamin the donkey, who ââ¬Å"could read as well as any pigâ⬠,[5] notices that the van belongs to ââ¬Å"Alfred Simmonds, Horse Slaughterer and Glue Boilerâ⬠(a knacker), and attempts to mount a rescue; but the animalsââ¬â¢ attempts are futile. Squealer reports that the van was purchased by the hospital and the writing from the previous owner had not been repainted. He recounts a tale of Boxerââ¬â¢s death in the hands of the best medical care. Shortly after Boxerââ¬â¢s death, it is revealed that the pigs have purchased more whiskey. Humanisation Years pass, and the pigs learn to walk upright, carry whips and wear clothes. The Seven Commandments are reduced to a single phrase: ââ¬Å"All animals are equal, but some animals are more equal than othersâ⬠. Napoleon holds a dinner party for the pigs and the humans of the area, who congratulate Napoleon on having the hardest-working but least fed animals in the country. Napoleon announces an alliance with the humans, against the labouring classes of both ââ¬Å"worldsâ⬠. He abolishes practices and traditions related to the Revolution, and changes the name of the farm to ââ¬Å"The Manor Farmâ⬠. The animals, overhearing the conversation, notice that the faces of theà pigs have begun changing. During a poker match, an argument breaks out between Napoleon and Mr Pilkington when they both play the Ace of Spades, and the animals realise that the faces of the pigs look like the faces of humans, and no one can tell the difference between them. Animalism ââ¬Å"Seven Commandmentsâ⬠redirects here. For the Noahide code, see Seven Laws of Noah.: The seven laws listed by the Tosefta and the Talmud are[7] 1. Prohibition of Idolatry 2. Prohibition of Murder 3. Prohibition of Theft 4. Prohibition of Sexual immorality 5. Prohibition of Blasphemy 6. Prohibition of eating flesh taken from an animal while it is still alive 7. Establishment of courts of law The pigs Snowball, Napoleon, and Squealer adapt Old Majorââ¬â¢s ideas into an actual philosophy, which they formally name Animalism. Soon after, Napoleon and Squealer indulge in the vices of humans (drinking alcohol, sleeping in beds, trading). Squealer is employed to alter the Seven Commandments to account for this humanisation, an allusion to the Soviet governmentââ¬â¢s revising of history in order to exercise control of the peopleââ¬â¢s beliefs about themselves and their society.[6] The original commandments are: 1. Whatever goes upon two legs is an enemy. 2. Whatever goes upon four legs, or has wings, is a friend. 3. No animal shall wear clothes. 4. No animal shall sleep in a bed. 5. No animal shall drink alcohol. 6. No animal shall kill any other animal. 7. All animals are equal. Later, Napoleon and his pigs secretly revise some commandments to clear them of accusations of law-breaking (such as ââ¬Å"No animal shall drink alcoholâ⬠having ââ¬Å"to excessâ⬠appended to it and ââ¬Å"No animal shall sleep in a bedâ⬠with ââ¬Å"with sheetsâ⬠added to it). The changed commandments are as follows, with the changes bolded: 1. No animal shall sleep in a bed with sheets. 2. No animal shall drink alcohol to excess. 3. No animal shall kill any other animal without cause. Eventually these are replaced with the maxims, ââ¬Å"All animals are equal, but some animals are more equal than othersâ⬠, and ââ¬Å"Four legs good, two legs better!â⬠as the pigs become more human. This is an ironic twist to the original purpose of the Seven Commandments, which were supposed to keep order within Animal Farm by uniting the animals together against the humans, and by prevent animals from following the humansââ¬â¢ evil habits. Through the revision of the commandments, Orwell demonstrates how simply political dogma can be turned into malleable propaganda.[7] Characters Pigs Old Major ââ¬â An aged prize Middle White boar provides the inspirationà that fuels the Rebellion in the book. He is an allegory of Karl Marx and Vladimir Lenin, the founders of communism, in that he draws up the principles of the revolution. His skull being put on revered public display also recalls Lenin, whose embalmed body was put on display.[8][9] Napoleon ââ¬â ââ¬Å"A large, rather fierce-looking Berkshire boar, the only Berkshire on the farm, not much of a talker, but with a reputation for getting his own wayâ⬠,[10] An allegory ofJoseph Stalin,[8] Napoleon is the main villain of Animal Farm. In the first French version of Animal Farm, Napoleon is called Cà ©sar, the French form of Caesar,[3] although another translation has him as Napolà ©on.[11] Snowball ââ¬â Napoleonââ¬â¢s rival and original head of the farm after Jonesââ¬â¢ overthrow. He is mainly based on Leon Trotsky,[8] but also combines elements from Vladimir Lenin.[9] Squealer ââ¬â A small white fat porker who serves as Napoleonââ¬â¢s right hand pig and minister of propaganda, holding a position similar to that of Molotov.[8] Minimus ââ¬â A poetic pig who writes the second and third national anthems of Animal Farm after the singing of ââ¬Å"Beasts of Englandâ⬠is banned. The Piglets ââ¬â Hinted to be the children of Napoleon (albeit not explicitly stated) and are the first generation of animals actually subjugated to his idea of animal inequality. The young pigs ââ¬â Four pigs who complain about Napoleonââ¬â¢s takeover of the farm but are quickly silenced and later executed. Pinkeye ââ¬â A minor pig who is mentioned only once; he is the pig that tastes Napoleonââ¬â¢s food to make sure it is not poisoned, in response to rumours about an assassination attempt on Napoleon. Humans Mr Jones ââ¬â The former owner of the farm, Jones is a very heavy drinker. The animals revolt against him after he drinks so much that he does not feed or take care of them. Mr Frederick ââ¬â The tough owner of Pinchfield, a well-kept neighbouring farm, who briefly enters into an ââ¬Å"allianceâ⬠with Napoleon, represents Germany. Mr Pilkington ââ¬â The easy-going but crafty owner of Foxwood, a neighbouring farm overgrown with weeds, represents Britain. Mr Whymper ââ¬â A man hired by Napoleon for the public relations of Animal Farm to human society, who is eventually used to procure luxuries like alcohol for the pigs. Equines Boxer ââ¬â Boxer is a loyal, kind, dedicated, and respectable horse, although quite dim-witted. Clover ââ¬â Boxerââ¬â¢s companion, constantly caring for him; she also acts as a matriarch of sorts for the other horses and the other animals in general. Mollie ââ¬â Mollie is a self-centred, self-indulgent and vain young white mare who quickly leaves for another farm after the revolution. Benjamin ââ¬â Benjamin, a donkey, is one of the oldest animals. He has the worst temper, but is also one of the wisest animals on the farm, and is one of the few who can actually read. He is skeptical and pessimistic, his most-often-made statement being ââ¬Å"Life will go on as it has always gone on ââ¬â that is, badly.â⬠[12] Other animals Muriel ââ¬â A wise old goat who is friends with all of the animals on the farm. She, like Benjamin and Snowball, is one of the few animals on the farm who can read. The Puppies ââ¬â Offspring of Jessie and Bluebell, taken away from them by Napoleon at birth and reared by Napoleon to be his security force. Moses ââ¬â An old raven who occasionally visits the farm, regaling its denizens with tales of a wondrous place beyond the clouds called Sugarcandy Mountain, where he avers that all animals go when they dieââ¬âbut only if they work hard. He is interpreted as symbolising the Russian Orthodox Church, with Sugarcandy Mountain an allusion to Heaven for the animals.[13] The Sheep ââ¬â They show limited understanding of the situations but nonetheless blindly support Napoleonââ¬â¢s ideals. The Hens ââ¬â The hens are among the first to rebel against Napoleon. The Cows ââ¬â Their milk is stolen by the pigs, who learn to milk them, and is stirred into the pigsââ¬â¢ mash every day while the other animals are denied such luxuries. The Cat ââ¬â Never seen to carry out any work, the cat is absent for long periods, and is forgiven because her excuses are so convincing and she ââ¬Å"purred so affectionately that is was impossible not to believe in her good intentionsâ⬠.[14] She has no interest in the politics of the farm, and the only time she is recorded as having participated in an election, she is found to have actually ââ¬Å"voted on both sidesâ⬠.[14] Glossary of Terms Coccidiosis: a parasitic infection that causes bloody diarrhea and sudden death in animals Communism: a theory or system of social organization based on theà holding of all property in common, actual ownership being ascribed to the community as a whole or to the state; in practice, communism is often a totalitarian system of government Comrade: a fellow member of a political party; a member of the Communist party Disinter: to exhume; to unearth that which is buried Proletariat: in Marxism, the class of workers, especially industrial wage earners, who do not possess capital or property and must sell their labor to survive Propaganda: information, ideas, or rumors disseminated to help or harm a person, group, movement, institution, nation, or other entity Regime: a mode or system of rule or government; such a system when in power Socialism: a theory or system of social organization that advocates vesting the ownership and control of the means of production and distribution, of capital, land, and other assets in the community as a whole Totalitarianism: absolute control by the state or a governing branch of a highly centralized institution Tushes: small, short tusks such as those belonging to a boar. Major Themes The Soviet Union under Stalinism Animal Farm is a satire of totalitarian governments in their many guises. But Orwell composed the book for a more specific purpose: to serve as a cautionary tale about Stalinism. It was for this reason that he facedà such difficulty in getting the book published; by the time Animal Farm was ready to meet its readers, the Allies were cooperating with the Soviet Union. The allegorical characters of the novel represent specific historical figures and different factions of Imperial Russian and Soviet society. These include Karl Marx (Major), Vladimir Lenin (Major), Leon Trotsky (Snowball), Joseph Stalin (Napoleon), Adolf Hitler (Frederick), the Allies (Pilkington), the peasants (Boxer), the elite (Mollie), and the church (Moses). The resemblance of some of the novelââ¬â¢s events to events in Soviet history is indubitable. For example, Snowballââ¬â¢s and Napoleonââ¬â¢s power struggle is a direct allegory of Trotskyââ¬â¢s and Stalinââ¬â¢s. Frederickââ¬â¢s trade agreement with Napoleon, and his subsequent breaking of the agreement, represents the Nazi-Soviet non-aggression pact that preceded World War II. The following Battle of the Windmill represents World War II itself. Despite his fairy-tale clarity in satirizing some historical events, Orwell is less specific about others. For example, the executions in Chapter VII conflate the Red Terror with the Great Purge. The executions themselves bear resemblance to both events, although their details connect them more to the Moscow Trials than to the Red Terror. Squealerââ¬â¢s subsequent announcement that the executions have ended the Rebellion connects them to the period of the Red Terror, however. Orwell leaves some ambiguity in the identities of the Rebellion and the Battle of the Cowshed. These ambiguities help the reader focus on the overall satire of Stalinism and the broader warning about the evils of totalitarian government. The Inevitability of Totalitarianism Orwell held the pessimistic belief that totalitarianism was inevitable, even in the West. According to Russell Baker, who wrote the preface to Animal Farmââ¬â¢s 1996 Signet Classics version, Orwellââ¬â¢s pessimism stemmed from his having grown up in an age of dictatorship. Witnessing Hitlerââ¬â¢s and Stalinââ¬â¢s movements from afar, as well as fighting totalitarianism in the Spanish Civil War, Orwell came to believe in the rise of a new species of autocrat, worse even than the tyrants of old. This cynicism is reflected inà both of his highly successful novels, Animal Farm and 1984. Orwell emphasizes the insidiousness of totalitarianism early in the novel, when the pigs take the fresh milk and apples. The pigs justify their actions on the basis of their superiority; they are smart and need more nutrition than the other animals to fuel their brainpower. There is no scientific basis for the pigsââ¬â¢ claimââ¬âin fact, if anyone needs more food to fuel their labor, it is the manual laborersââ¬âbut they can count on the animalsââ¬â¢ being too ignorant to realize that. In this way, Orwell makes the point that totalitarianism need not be blatant in order to be operating. It can hide under the guise of the ââ¬Å"greater goodâ⬠as it did in the Soviet Union before the totalitarianism became obvious. Orwell uses a cyclical structure in Animal Farm, which helps advance the idea of totalitarianismââ¬â¢s predictability. The novel begins with Jones as autocratic tyrant and ends with Napoleon not only in Jonesââ¬â¢s position, but in his clothes as well. Over the course of the novel, Napoleon essentially becomes Jones just as Stalin becomes an autocrat after pretending to espouse equality and freedom. Orwell cements this idea in the bookââ¬â¢s final scene, where he writes, ââ¬Å"Twelve voices were shouting in anger, and they were all alike. No question, now, what had happened to the faces of the pigs. The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was whichâ⬠(139). The circularity of Orwellââ¬â¢s story prevents the reader from imagining a better future for Animal Farm. After all, even if another Rebellion were to take place, its leaders would eventually come to emulate Napoleon. According to Baker, technology turned out to be the force freeing people from Orwellââ¬â¢s age of dictators. But ââ¬Å"technologyâ⬠can be just another banner under which to rally the people. While Orwell does portray technology as a source of progress in Animal Farm, he points out that it is useless unless it is in the peopleââ¬â¢s hands. Most notably, even when the windmill is finished it is used for milling corn instead of its original purpose of supplying the animals with electricity in their stalls. Intelligence and Education as Tools of Oppression From the very beginning of the novel, we become aware of educationââ¬â¢s role in stratifying Animal Farmââ¬â¢s population. Following Majorââ¬â¢s death, the pigs are the ones that take on the task of organizing and mobilizing the other animals because they are ââ¬Å"generally recognized as being the cleverest of the animalsâ⬠(35). At first, the pigs are loyal to their fellow animals and to the revolutionary cause. They translate Majorââ¬â¢s vision of the future faithfully into the Seven Commandments of Animalism. However, it is not long before the pigsââ¬â¢ intelligence and education turn from tools of enlightenment to implements of oppression. The moment the pigs are faced with something material that they wantââ¬âthe fresh milkââ¬âthey abandon their morals and use their superior intellect and knowledge to deceive the other animals. The pigs also limit the other animalsââ¬â¢ opportunities to gain intelligence and education early on. They teach themselves to read and write from a childrenââ¬â¢s book but destroy it before the other animals can have the same chance. Indeed, most of the animals never learn more than a few letters of the alphabet. Once the pigs cement their status as the educated elite, they use their mental advantage to manipulate the other animals. For example, knowing that the other animals cannot read the Seven Commandments, they revise them whenever they like. The pigs also use their literacy to learn trades from manuals, giving them an opportunity for economic specialization and advancement. Content in the role of the intelligentsia, the pigs forgo manual labor in favor of bookkeeping and organizing. This shows that the pigs have not only the advantage of opportunity, but also the opportunity to reject whatever opportunities they like. The pigsââ¬â¢ intelligence and education allow them to bring the other animals into submission through the use of propaganda and revisionism. At the bookââ¬â¢s end, we witness Napoleonââ¬â¢s preparations to educate a new generation of pigs and indoctrinate them into the code of oppression. Propaganda and Duplicity Working as a propagandist during World War II, Orwell experienced firsthand both the immense power and the dishonesty of propaganda. Manyà types of governments make use of propaganda, not only totalitarian ones. Consider, for instance, the arguments that led many United States citizens to go along with the idea of invading Iraq after the September 11, 2001, terror attacks. Propaganda serves the positive task of uniting the people, sometimes at the cost of misleading them. Orwell takes a firm stance on the harmfulness of propaganda in Animal Farm while acknowledging its value for rallying a mistreated and disillusioned populace. In Chapter IX, Orwell demonstrates the positive value of propaganda. By this point, the animals are so downtrodden that they are desperate for something in which to believe. (Note the irony, though: it is Napoleon who has robbed them of their belief in the original version of Animalism.) The falsely optimistic statistics, the songs, and especially the Spontaneous Demonstrations give the animals something to live for. This chapter is an exception in terms of portraying propaganda in a positive light. For the majority ofAnimal Farm, Orwell skewers propaganda and exposes its nature as deception. Squealer represents a totalitarian governmentââ¬â¢s propaganda machine. Eloquent to a fault, he can make the animals believe almost anything. This fact is especially clear in Squealerââ¬â¢s interactions with Clover and Muriel. Each time Clover suspects that the Seven Commandments have been changed, Squealer manages to convince her that she is wrong. After the executions, Napoleon abolishes the singing of ââ¬Å"Beasts of Englandâ⬠in favor of a new anthem, the lyrics of which contain a promise never to harm Animal Farm. In this propagandist manoeuvre, Napoleon replaces the revolutionary spirit of ââ¬Å"Beasts of Englandâ⬠with the exact opposite, a promise not to rebel. In addition to being a source of manipulation, propaganda is an agent of fear and terror. Orwell demonstrates this quite clearly with Napoleonââ¬â¢s vilification of Snowball and his assurances that Snowball could attack the animals at any minute. He uses similar fear tactics regarding Frederick and Pilkington. The most egregious example of propaganda in the novel is the maxim that replaces the Seven Commandments: ââ¬Å"All animals are equal / But some animals are more equal than others.â⬠The idea of ââ¬Å"more equalâ⬠is mathematically improbable and a nonsensical manipulation of language, but byà this time, the animals are too brainwashed to notice. Violence and Terror as Means of Control In Animal Farm, Orwell criticizes the ways that dictators use violence and terror to frighten their populaces into submission. Violence is one of the yokes from which the animals wish to free themselves when they prepare for the Rebellion. Not only does Jones overwork the animals and steal the products of their labor, but he can whip or slaughter them at his discretion. Once the pigs gain control of the animals, they, like Jones, discover how useful violence and terror can be. They use this knowledge to their full advantage. The foremost example of violence and terror in the novel is the pattern of public executions. The executions can be said to represent both the Red Terror and the Great Purge, but they stand more broadly for the abuse of power. For example, they are also similar to the Talibanââ¬â¢s public executions in Kabulââ¬â¢s soccer stadium in modern Afghanistan. Capital punishment for criminals is a hotly debated issue. Killing suspected criminals, as Napoleon does, is quite another issue. The executions perhaps best symbolize the Moscow Trials, which were show trials that Stalin arranged to instill fear in the Soviet people. To witnesses at the time, the accused traitorsââ¬â¢ confessions seemed to be given freely. In fact, they were coerced. Napoleon likely coerces confessions from many of the animals that he executes. Orwellââ¬â¢s use of the allegory genre serves him well in the execution scene. Execution with weapons is a violent and horrifying act, but many people have become desensitized to it. Orwellââ¬â¢s allegorical executioners, the dogs that kill cruelly, portray the bloody and inescapably animalistic side of execution. Terror comes also in threats and propaganda. Each time the animals dare to question an aspect of Napoleonââ¬â¢s regime, Squealer threatens them with Jonesââ¬â¢s return. This is doubly threatening to the animals because it would mean another battle that, if lost, would result in a return to their former lifestyle of submission. Jonesââ¬â¢s return is such a serious threat that it quashes the animalsââ¬â¢ curiosity without fail. The other major example of fearà tactics in the novel is the threat of Snowball and his collaborators. Napoleon is able to vilify Snowball in the latterââ¬â¢s absence and to make the animals believe that his return, like Jonesââ¬â¢s, is imminent. Snowball is a worse threat than Jones, because Jones is at least safely out of Animal Farm. Snowball is ââ¬Å"provedâ⬠to be not only lurking along Animal Farmââ¬â¢s borders but infiltrating the farm. Napoleonââ¬â¢s public investigation of Snowballââ¬â¢s whereabouts cements the animalsââ¬â¢ fear of Snowballââ¬â¢s influence. In modern language, Snowball is pegged as the terrorist responsible for the infringements on the rights and liberties instigated by the pigs. Exploitation and the Need for Human Rights Exploitation is the issue around which the animals unite. Initially, the animals do not realize Jones is exploiting them. For this reason, Old Majorââ¬â¢s speech is a revelation of momentous proportions. Major explains to the animals that they are enslaved and exploited and that Man is to blame. He teaches them not only what exploitation means, but also the fact that it is not inevitable. Orwell suggests that exploitation is, in fact, bound to happen when one class of society has an advantage over another. The opposite of exploitation, according to Major, is the state of being ââ¬Å"rich and free.â⬠Majorââ¬â¢s ideas about animal rights symbolize the importanceââ¬âand scarcityââ¬âof human rights in an oppressive regime. Gaining freedom does not necessarily lead people also to become rich, but it is better to be poor and free than poor and exploited. All the animals on Animal Farm are exploited under Napoleonââ¬â¢s control, save the pigs. Even the dogs, which work closely with the pigs, are exploited. The dogs face perhaps even a worse form of exploitation than the other animals, because they are made into agents of intimidation and death. Whereas Napoleon exploits the other animalsââ¬â¢ physical strength and their ignorance, he exploits the dogsââ¬â¢ viciousness and turns them into villains against their parentsââ¬â¢ wishes. Boxerââ¬â¢s life is a particularly sad example of exploitation because he exploits himself, believing wholeheartedly in Napoleonââ¬â¢s goodness. In theà end, Napoleon turns the tables and exploits Boxer, having him slaughtered for profit. By the end of the novel, we see clearly how the animals participate in their own exploitation. They are beginning to build a schoolhouse for the thirty-one young pigs Napoleon has fathered (perhaps an oblique reference to the ââ¬Å"Thirty Tyrantsâ⬠of ancient Greece). That schoolhouse will never benefit the animals that build it; rather, it will be used to educate the pigs and indoctrinate them into the cycle of exploiting others. Throughout the novel, Orwell shows us how the lack of human rights results in total helplessness. However, though it underscores the need for human rights, the novel does not suggest how to achieve them. After all, once the animals expel Jones and gain rights for themselves, the pigs take those rights away and the cycle of exploitation continues with new players. Apathy and Acceptance In the beginning of Animal Farm, the idea of freedom rouses the animals as if from a long slumber. Immediately following Majorââ¬â¢s death, the animals begin preparing themselves for the Rebellion; just the idea of revolution is enough to motivate them, since they do not expect it to happen in their lifetimes. By the bookââ¬â¢s end, the animals have become as apathetic as Benjamin always was. Despite the many hardships and injustices they face, the animalsââ¬â¢ pride as well as Napoleonââ¬â¢s propaganda keep them invested in the ââ¬Å"greater goodâ⬠and the illusion of freedom. If Benjamin is the harbinger of apathy, Boxer is its antithesis. Strong not only in body but also in spirit, Boxer will make any sacrifice for the benefit of Animal Farm. With Boxerââ¬â¢s eventual betrayal by the leaders he served so unconditionally, Orwell lays bare another type of apathyââ¬âtheirs. Far from truly considering Boxer a loyal comrade, the pigs treat him as apathetically as they would a mere object. Symbolically, they even make a profit by having him turned into literal objectsââ¬âglue and bone meal. Boxerââ¬â¢s enthusiasm does not give him an advantage, but the other animalsââ¬â¢ eventual apathy gives them a defense mechanism against the painful reality of their lives. It is no coincidence that Animal Farmââ¬â¢s most apathetic and cynical animal, Benjamin, is one of those that survives theà longest. Benjaminââ¬â¢s emotional detachment from situations, whether they are good or bad, keeps him from being disappointed. In his apathy and cynicism, Benjamin represents the stereotypical ââ¬Å"gloomyâ⬠Russian and also the perennially pessimistic Orwell himself. Summary and analysis of Chapter I Mr. Jones, the owner of Manor Farm, stumbles drunkenly up to bed as the farm animals wait in still silence. The moment he is out of sight, they begin to bustle around, preparing themselves for the big meeting that is to take place that night. Old Major has called the meeting to discuss a strange dream he had the previous night. He is waiting for his fellow animals in the big barn.
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