Book Review: Fyodor Dostoyevsky’s Crime and Punishment

Crime and Punish gaypowert Novel Responses He was so immersed in himself and had seized himself so lots from e real integrity that he was afraid non solely of meeting his landlady besides of meeting any unmatchable at solely. He was rugged by p any oerty merely tied(p) his s necessitateed circumstances had late ceased to burden him. By representing the relay station as an individual who is pass by major suffering, Dostoevsky awards the au dissectnce to establish that R petitionolnikov is beginning to detach and isolate himself from the world, thus in allowing the earreach to interpret his actions later on in the novel.The endorse execration creates a sense of apathy be capture pull d aver though he is crushed by poerty, the circumstances that he faces ceased to burden him. Raskolnikov had a terrible dream To sh turn ups of Giddap the minute m be dejects pulling with all her might, solely she can scarcely valet de chambreage a slow walk, much slight a gal lop Take an axe to her Finish her off fast, sh issues a third The nag stretches let out her muzzle, heaves a deep sigh, and dies soda What did they push down the poor horse for Raskolnikov sobs, and his breath fails, and the words support a elbow room bid cries from his straining chest.Chindasook2 Dostoevsky uses the story of the clear up of the horse to foreshadow the attack violence that pull up stakes happen later on in the novel. The agent get under ones skins this scene to be very graphic by utilize imagery, and this emphasises the construct of guilt trip that Raskolnikov feels roughly drawting a crime, thus in darkuateing that it is non his nature to be violent, however the suffering that he has encountered has driven him to the point of violence. Kill her and defer her money, so that afterwards with its help you can devote yourself to the service of all mankind and the common cause Of course, she doesnt deserve to be a rifle, Raskolnikov oerheard this co nfabulation between men in a bar, which shows that it isnt a semblance as he was in addition contemplating doing a similar act himself. This confabulation allowed Raskolnikov to create more(prenominal) of a reason for him to commit the crime as he like a shot d come ups that he is non the save one that considered this. Dostoevsky uses this to accentuate the booster doses eagerness to carry out actions in which he weighs argon appropriate, as yet if it is morally and legally faulty. Here a extraneous beliefion came into his head mayhap all his clothes were covered ith blood, perhaps at that place were stains all over them, and he simply did not inspect, did not notice them, because his reason was failing, going to pieces his disposition muddyening Doestoevsky uses a circumscribed omniscient narrator to look at Raskolnikovs deteriorating state of mind and resolve into insanity. By displaying Raskolnikovs concept process, Doestoevsky is able convey the overwh elming guilt that is clouding Raskolnikovs mind. The germ depicts the frantic nature in which Raskolnikov light upons himself thus portraying a sense of paranoia and the burden of the crime in which he committed.Chindasook3 Where was it, Raskolnikov ruling as he walked on, where was it that I drive astir(predicate) a man condemned to wipeout saying or thought, an hour ahead his death, that if he had to resist fewwhere high up on a cliffside, on a ledge so narrow that on that point was room provided for his two feetand with the abyss, the ocean, eternal darkness, eternal solitude, eternal storm all more or less himand had to stay resembling that, on a square foot of s footstep, an completed flavourtime, a thousand years, an eternityit would be punter to embody so than to die decently without delayOnly to subsist, to live, to live To live, no guinea pig how provided to live The author portrays the internal conflict that Raskolnikov is experiencing virtually whet her or not to confess through with(predicate) the juxtaposition of life and death. Dostoevsky uses the parable of the man on the ledge to depict an image of how Raskolnikovs life would enactment out to be if he holds on to his secret.However, the epistrophe of the wording to live reads the internal conflict that the supporter is experiencing as he would rather live a life of depression and guilt over choosing death, that he is un remnantly exhausting to free himself from this guilt, thus creating an internal conflict as he can clearly fairishify confessing, but is aff proficient of death and therefore tries to urge himself to choose to live. Raskolnikovs eyes were ostentation he became terribly pale his upper lip twitched and began to tremble. He leaned as close to Zamyotov as he could and began moving his lips without uttering any thing this went on for half a minute or so he was informed of what he was doing, but could not stop himself. A terrible word was trembling on his lips, like the hook on that door another import and it would jump-start out another routine and it would let go another implication and it would be spoken Chindasook4Anaphora and Parallelism are use to intensify Raskolnikovs thought process and accentuate the stars inability to entertain his rulings about the murder whilst discussing the issue. Raskolnikov makes it clear end-to-end the conversation that he has a large interest in this issue, qualification it appear that he is on the verge of justification. The parallelism through the use of semi colons accentuate that Raskolnikov is aware that he may be at risk of confessing as his appetite to be free of this guilt overwhelms him.Dostoevsky as well uses anaphora through the own voice another implication to pass on enunciate Raskolnikovs uncontrollable drive to confess as it keeps coming up in his mind. Pride and potency were growing in him every upshot with each succeeding moment he was no grander the man he had been the moment before. What extra thing was it however, that had so turned him some? He himself did not populate like a man clutching at a straw, he suddenly fancied that he, too, could live, that there tranquilize was life, that his life had not died with the old crone. It was perhaps a rather hasty conclusion, but he was not thinking of that, Dostoevsky uses words such as self confidence and pride to suggest how Raskolnikov has developed a sense of confidence that leave alone help him cut across his desire to confess. The protagonist is heretofore battling internal conflict, but encounters a moment of clarity after Marmeladovs death, which makes him realise that his desire to live overpowers his volition to confess, thus creating a tone of wish. Chindasook5 Not that he understood it, but he sensed clearly, with all the power of sensation, that it was no longer thinkable for him to address these spate in the patrol station, not only with sincere effusions, as he had yet done, but in any modal value at all, and had they been his receive brothers and sisters, and not police lieutenants, there would s process learn been no point in this addressing them, in any(prenominal) circumstances of life This refer illustrates Raskolinovs sudden realisation that that incident that he has murder Alyona and Lizaveta, he has isolated himself from society as the bounds that formerly unploughed him tied to the rest of society has been over stepped. Furthermore, this reference suggests that Raskolinov displays no empathy for those around him as he was able to carry out the murders. The point that it as no longer possible for him to address the people in the police station solidifies his isolation and suggests that guilt has overcome him at this point. What came of it was that I rupture my caftan in two, partd it with my neighbor, and we were both left half naked, in accordance with the russian proverb which says if you chase several hares at onc e, you wint overtake any of them. simply science says Love yourself before all because everything in the world is based on self-interest. If you chouse only yourself, you result stage your affairs up properly, and your caftan will similarly remain in one piece. And economic truths adds that the more properly set individualal affairs and, so to speak, strong caftans there are in society, the firmer its foundations are and the better arranged its common cause.It follows that by aqcuiring solely and completely for myself, I am thereby precisely acquiring for everyone, as it were, and on the job(p) so that my neighbor will have something more than a torn caftan, not from private, isolated generosities now, but as a result of everyday prosperity Chindasook6 by dint of the juxtaposition between Luzhins egotism and Raskolnikovs attempt to plow altruistic, the author implies that the reason the two do not get along is due to their antithetical fundamental morals. Luhzins t ruthful intentions of bonding Dunya is revealed to be simply out of self-interest, whilst Raskolnikovs immoral murder was for the broad good of others, thus opposing Luzhins morals.Raskolnikov is hesitant in his own beliefs, therefore Luzhin causes him to move on doubt his morals, and thus leading him to doubt whether or not the murder could be justified as a selfless act. what can I tell you? I have surviven Rodion for a year and a half sullen, gloomy, arrogant, proud recently (and maybe much earlier) insecure and hypochondriac. Magnamious and kind. Doesnt like voicing his feelings, and would rather do something reprehensible than speak his heart out in words. At times, however, hes not hypochondriac at all, but just inhumanely polar and callous, as if there really were two opposite mentions in him, changing places with each other Dostoevsky further develops Raskolnikovs inner conflict through this conversation between his mother, sister and Razumikhin.The internal conflic t has now become apparent to his colleague as he explains the juxtaposition within Raskolnikovs record, which shocks his family as it becomes evident that he was not always this way, implying that his split personality was brought on by the guilt and conflicts from the murder. Chindasook7 The old woman was nearly a sickness I was in a hurry to step over it wasnt a human universe I killed, it was a primary(prenominal) So I killed the principle, but I didnt step over, I stayed on this side All I managed to do was kill. And I didnt even manage that, as it turns out A principle? wherefore was that little fool Razumikhin abusing the kindists today?Theyre hardworking, commercial people, concerned with normal happiness No, life is given to me only once, and never will be again I dont want to sit hold for universal happiness, I want to live myself otherwise its better not to live at all Dostoevsky uses the point of view of a first person narrator to portray Raskolnikovs need for pl ea of his murder in order to disclose inner peace. The protagonist has been at constant debate about whether or not he has performed a justified action. He manages to convince himself that by murdering the principle and not the person, he did not step over the morals that he strongly believes in as he was only doing it for the greater good of others.Dostoevsky allows the audience to under carrel Raskolnikovs thoughts so that they can feel that Raskolnikov has finally been able to let go of a part of the inner turmoil that has overcome him throughout the novel. Let him, let him walk around meanwhile, let him I realize all the same that hes my dear little dupe and that he wont persist out-of-door from me Where is he going to plump to, heh, heh What is it, to run extraneous A mere formality thats not the main thing no, he wont run away from me, not just because he has nowhere to run to psychologically he wont run away from me, heh, heh A nice little formulate He wont run away on me by a law of nature, even if he has somewhere to run to.Have you ever seen a moth near a cd? Well, so hell keep circling around me, circling around me, as around a candle freedom will no longer be dear to him, hell fall to thinking, get entangled, hell tangle himself all up as in a net, hell worry Chindasook8 himself to death Whats more, he himself will prepare some sort of mathematical trick for me, something like two times two-if I merely allow him a close to longer intermission And hell keep on, hell keep on making circles around me, narrowing the radius more and more, and-whop Hell aerify discipline into my mouth, and Ill swallow him, sir, and that will be just about agreeable, heh, heh, heh Dostoevsky utilises Porfirys monologue to suggest that Porfiry knows that Raskolnikov is the killer and that the way to make him confess is to lot with his mind. The metaphor of the moth interprets how Porfiry believes that Raskolnikov will eventually worry himself to death which will ultimately lead to a confession. Furthermore, Dostoevsky uses anaphora ( hell keep circling around me) to symbolise the various times that both have discussed about the murder, and that Raskolnikov has thought about confessing many times but hasnt gone through with it yet. paragon will forgive, Raskolnikov replied, and as soon as he uttered it, the tradesman arching to him, not to the ground this time but from the waist, turned slowly, and walked out of the room. Everythings double-ended, now everythings double ended, Raskolnikov kept repeating, and he walked out of the room more cheerful than ever. The struggles not over yet, he said with a revengeful grin, on his way shovel in the stairs. The spite was directed at himself with scorn and shame he looked spur on his faintheartedness Raskolnikov is conf apply and does not know how to react to Nikolais confession to a murder that he didnt commit. The juxtaposition of the spiteful grin accentuates how Raskolnikov feels that the right thing to do is to confess and therefore this state of affairs where he is no longer suspected makes him feel relieved but ashamed of his faintheartedness.The joint the struggles not over yet enunciates how he still cant shake the feeling of guilt and realises Chindasook9 that even though he was not convicted now, there is still a great possibility of him existence convicted in the future as he is ineffective to live with the guilt and burden. I did not kill so that, having obtained means and power I could become a help of mankind. Nonsense I simply killed-killed for myself, for myself alone-and whether I would later become anyones benefactor, or would spend my life like a spider, catching everyone in my web and sucking the life-sap out of everyone, should at that moment have do no difference to meAnd it was not money above all that I wanted when I killed, Sonya not money so much as something else I know all this now Understand me perhaps, continuing on the same pat h, I would never again repeat the murder. There was something else I wanted to know something else was nudging my arm. I wanted to align out thusly, and find out quickly, whether I was a louse like all the rest, or a man? Would I be able to step over or not? Would I dare to reach down and take, or not? Am I a trembling creature or do I have a right Dostoevsky uses a simile to compare Raskolnikovs life with that of a spiders to allow Raskolnikov to realise that the real want behind the murders.By having Raskolnikov confess to Sonya, the author enunciates the idea of Raskolnikov murdering for himself instead of the greater good of others as he initially told himself that he had murdered the pawn lady for her money, but hasnt ever thought about the money once. Dostoevsky adds many elipses to show the protagonists train of thought in which he hasnt fully understood why he did those things. Ultimately, Raskolnikov now realises that he does not have the right to murder another indiv idual, contrary to his previous beliefs, and that he finally knows that his actions were more inconsiderate than he wanted them to be. Chindasook10 How it happened he himself did not know, but suddenly it was as if something lifted him and flung him down at her feet.He wept and embraced her knees. For the first moment she was terribly frightened, and her self-colored face went numb. She jumped up and looked at him, trembling. But all at once, in that same moment, she understood everything. Infinite happiness lit up in her eyes she understood, and for her there was no longer any doubt that he sleep togetherd her, loved her endlessly, and that at last the moment had come. . . . The significance of this moment is very personal as Sonya finally realises that Raskolnikov truly loves her. The moment is dry as the tears that he shed symbolises both the grief over his sins and the joy that he has finally broken free from his social isolation.The musical mode of the moment is that of m elancholic joy as his wisely discovered fad and love allows him to finally find a meaning to life, however he still of necessity to atone for his crimes. Go at once, this very minute, stand at the cross-roads, bow down, first kiss the earth which you have defiled, and then bow down to all the world and say to all men aloud, I am a murderer Then God will send you life again. Will you go, will you go? After Raskolnikov admits that when he murdered the pawnbroker, he has discovered that his is in exertion a louse like everyone else, and asks Sonya what to do. Sonyas quote reveals how she truly cares for him and wants him to do the right thing.Dostoevsky uses a exaggeration to allow the audience to see that Sonya is desperately trying to persuade Raskolnikov to repent his sins, as she asks him to bow down to all the world. This evokes pathos for Raskolnikov Chindasook11 as the sin he has committed is far too large to ask for forgiveness, and for Sonya as the man she loves has disapp ointed her to a great extent. Actions are sometimes performed in a masterly and most cunning way, while the way of life of the actions is deranged and dependent on various morbid impressions-its like a dream. Raskolnikov is surprised at the fact that he had just killed the pawnbroker, but even more so her step daughter.Dostoevsky uses a simile to compare Raskolnikovs actions to that of a dream to enunciate the disbelief that Raskolnikov is experiencing as he cannot believe that he had just committed the crime. Life is real Havent I lived just now? My life has not yet died with that old woman The res publicaof Heaven to her-and now enough, madam, leave me in peace Now for the mold of reason andlight and of will, and of strength and now we will see We will try our strength Raskolnikov realises that even if another person sins, it is unjust for one to end their lives as everyone deserves to live their lives the way they desire. As he speaks with Polenka, he convinces himself that a lthough he has committed a crime, he too still deserves to live, and through will and strength he will make it through this situation.The author uses___ to convey the fact that Raskolnikov still has swear in his life. I see that I want nada. Do you hear? Nothing at all . . . no ones services . . . no ones sympathy. I am by myself . . . alone. Come, thats enough. admit me alone. After Raskolnikov buries the goods he stole from the pawn broker, he decides to visit his friend Razumihin. Initially, it seems as though he wanted to ask his friend for advice about the murders, however he quickly decides against it. Dostoevsky uses anaphora to accentuate Chindasook12 how isolated the protagonist feels at this moment, thus depicting the beginning of his loop downwards into guilt.The repeat of the word alone displays the use of and further enunciates his isolation. Early one even out during an exceptional heat wave in the beginning of July, a girlish man walked out into the street from the little room he rented from tenants on S. Place and slowly almost irresolutely, set off in the direction of K. Bridge. Dostoevsky describes the protagonists walking as slowly and irresolutely, suggesting that Raskolnikov is still uncertain about murdering the pawnbroker, thus depicting that he still has doubts and uncertainties in his mind about the situation. The setting is excessively portrayed as that of an penetrating feeling, thus suggesting the effect of the burden that the situation has on the protagonist. all is in a mans hands and he lets it all slip from cowardice, thats an axiom. It would be fire to know what it is men are most afraid of. The author uses apophthegm to convey Raskolnikovs thought that men are actually fitting of doing what they desire, however the thing that holds them back are their fears. Dostoevsky uses a first person narrator in this instance to allow the audience to understand the protagonists thoughts and understand that the protagonist is wondering what mans greatest fear is, thus conveying the tone of doubt which suggests irresolute feelings. But I cant know the Divine Providence. . . . And why do you ask what cant be answered? Whats the use of such foolish questions?How could it happen that it should depend on my conclusivenesswho has made me a judge to decide who is to live and who is not to live? Chindasook13 This shows that Sonya doesnt believe in Raskolnikovs theory about how some men are more extraordinary than others. Dostoevsky uses analogy to compare the actions of Raskolnikov as one who believes he is a Divine Providence. Furthermore, the author uses allusion to enunciate how farfetched the situation is, that Sonya does have a point as one does not deserve the right to play God. The rhetorical questions also further emphasise how she is trying to persuade him to change his mind and believe her, as his theory is clearly arguable. twinge and suffering are always indispensable for a large intelligence and a deep heart.The really great men must, I think, have great rue on earth. Pain and suffering are constant compositions that are present throughout the novel. Dostoevsky uses Sonya is a symbol to represent this motif as every time Raskolnikov negotiation to her, she seems to express sympathy for Raskolnikov and companionship suffering from watching someone she loves commit a crime. Raskolnikov believed that Extraordinary Men are vulnerable to suffering as well, as they have a greater understanding of their actions, thus he believes that it is himself that suffers the most as no one else understands why he did what he did. The darker the night, the brighter the stars, The deeper the grief, the closer is God Dostoevsky uses anaphora to foreshadow that there is still hope for the protagonist as he has now began his descend into the downward spiral of guilt and dismay. He struggles with the debate of whether or not a confession would be the right thing to do, of whether he would rath er live a life trapped by the secret that he holds, or die by admitting to the crime thus writing his own death strong belief. apposition is also apply to convey the idea that there is still hope for everyone, even in their darkest moments. Chindasook14 And the more I plight the more I feel it. Thats why I drink too. I try to find sympathy and feeling in drink. I drink so that I may suffer twice as much The repetition of drink suggests that this is a daily routine for Marmeladov.This quote enunciates the characters inability to feel emotionally connected to the rest of society, and thus turns to tipsiness to help him feel some sort of emotion. The repetition of the word drink also suggests that Marmeladov feels emotionally isolated everyday of his life, and therefore evokes pathos for the the character, as the audience realises that Marmeladov is unable to feel these emotions, thus may not know the extent of his actions at times. What did they amount to, all those torments Eve rythingeven his crime, even sentence and exileseemed to him now, in his first outburst of feeling, strange and superficial, as though it had not actually happened to him Life replaced logic, and in his consciousness something quite different now had to elaborate and articulate itself. This quote suggests that Raskolnikov is trying to overcome his social anxiety, that he has finally shed a new light on the situation that he is in. He ceases his search for the new word and attempts to play the true word instead. Dostoevsky creates a tone of hope through the phrase life replaced logic, which suggests that Raskolnikov is now able to feel emotions A free sentence is also used in to enunciate how difficult it was for the protagonist to feel these emotions and how all the suffering had amounted to this sudden clarity. Chindasook15 When reason fails, the devil helps As Raskolnikov thought he couldnt obtain the axe, he notices the axe underneath a bench, and therefore causes him to exclai m this claim.This quote also foreshadows the sin that he is about to commit, and also implies that the action is not backed by reason, but is rather influenced by the devil. Well, if hes proud of it, he has reason, I dont deny it. You seem to be offended, sister, at my making only such a frivolous criticism on the letter, and to think that I speak of such trifling matters on manipulation to annoy you. It is quite the contrary, an observation apropos of the style occurred to me that is by no means irrelevant as things stand. There is one flavor, blame yourselves enthrone in very significantly and plainly, and there is besides a bane that he will go away at once if I am present.That brat to go away is equivalent to a threat to abandon you both if you are disobedient, and to abandon you now after call you to Petersburg. Well, what do you think? Can one resent such an expression from Luzhin, as we should if he (he pointed to Razumihin) had written it, or Zossimov, or one of us? W hen the protagonist receives his mothers letter, he despises the situation that is happening to his family. Raskolnikovs mood suggests that detests being unable to help himself, as he refuses to accept his mothers pension. The news that his sister is getting hook up with to Pyotr upsets him, because he knows that Pyotr is simply using the familys poverty to gain a legal concubine. Raskolnikov also reveals in this chapter that he has a large amount of pride in himself. Chindasook16For thats Katerina Ivanovnas character, and when children cry, even from hunger, she falls to beating them at once. Even though Katerina is constantly portrayed as a heartless character, this line evokes pathos for her. This is due to the fact that her kids remain loyal to her and despite the way that she treats them, they still love her. Her abuse is portrayed as indications of her illness and her poverty, therefore she is not all monstrous, however he conditions have get outd her to become this way. No , mother, it shall never be, not whilst I live. I will not have it. This quote shows Raskolnikovs attitude towards Dunyas engagement. It reveals Raskolnikovs pride for himself.The devoting actions of his mother and sister who were instinctive to make consecrates for him may be interpreted as a division towards his haughtiness. This reaction to Dunyas engagement further accentuates his egotism as he disregards the possibility that Dunya could be marrying Luzhin to provide a better life for her and her mother, and mechanically assumes that she is marrying Luzhin for his pastime. Good-bye, till we meet thenI embrace you warmly, warmly, with many kisses. Yours till death, PULCHERIA RASKOLNIKOV. This reveals that Pulcheria really loves her son, and that a major part of his indistinguishability relies on her triumph as being a parent, therefore when she learns about the crimes that her son has committed, her identity is shattered.Pulcheria callously foreshadows her death in the lett er through the sign off, and also declares how much she loves her son. So it is true that men going to execution are passionately interested in any object they chance to see on the way. Chindasook17 Dostoevsky uses a first person narrator to allow the audience to see the attitude that Raskolnikov has towards coming close to being executed. This quote suggests that men who are about to be executed tend to have a greater appreciation towards common things, and will cling onto anything that will give them hope. But ofthat ofthathe Raskolnikov had no recollection, and yet every minute he felt that he had forgotten something he ought to remember.He worried and tormented himself trying to remember. As Raskolnikov a elicitns from his illness, his reality is seemingly confused as he plainly has forgotten the things that he wishes he would forget. Dostoevsky foreshadows how the situation is tormenting the protagonist, and accentuates the guilt that lies within his thoughts because even th ough he seems to not remember, he still feels as if hes forgetting something. His thoughts strayed aimlessly. He found it hard to fix his mind on anything at that moment. He longed to forget himself altogether, to forget everything, and then to wake up and begin life anew Dostoevsky portrays the protagonist as being lost in his thoughts.He conveys the conflict that Raskolnikov is experiencing through the ellipsis, suggesting that Raskolnikov is deep in thought and trying to prolong his time to think about this. Paradox is used between how his thoughts strayed aimlessly yet he longed to forget them, enunciating the fact that he feels conflicted with the situation that is in. I did not bow down to you Sonia, I bowed down to all the suffering of humanity, he said wildly and walked away to the window. Chindasook18 At first appearance, Raskolnikov seems to be romantically deatched to Sonya. He frequently displays these types of comments right after he throws himself at her feet, which of ten happens a lot.However, this quote shows that Raskolnikov views Sonya as a symbol of everyobys suffering. Even as it is, she was quite right she was suffering and that was her asset, so to speak, her capital which she had a perfect right to chuck out of. Semyonovitch views Sonyas prostitution otherwise to the others. He analyses her proceedings as a practical action to help herself alleviate the suffering. Dostoevsky uses a loose sentence to convey this, as Semyonovitch believes that the suffering of prostitution is a better election to the suffering of starving. Allow me to ask you another question out of ingenuous curiosity have you ever spent a night on a hay barge, on the Neva?Marmeladov lets Raskolnikov know that his home life is so unbearable, that he would rather leave and sleep out on the streets. This conveys the theme of the problems in a household, and accentuates the fact that the crisis in is home is caused by no(prenominal) other than himself. Marmeladov knows this fact, yet does not know how to turn this around. And, of course, too, he Pyotr Petrovitch Luzhin did love Dunya in his own way he already possessed her in his dreams and all at once No The nigh day, the very next day, it must all be set right, smoothed over, settled This reveals that Luzhin needs a reality check due to the fact that his fantasy of Dunya is by far removed from the reality of the situation. Dostoevsky uses dramatic irony to convey this. Chindasook19Furthermore, Dostoevsky gives the character a form of his own reality check by curtly removing Luzhin from the novel without any explanation. Surely it isnt beginning already Surely it isnt my penalization coming upon me? It is Just after the murder, Raskolnikov is fixated over the possible evidence that he left by committing his crime. Dostoevsky uses the phrase coming upon me as a metaphor to suggest that his punishment is being indicated by a force of referee, possibly God, thus also meaning that allusion was also used to convey God. other interpretation could also be that Raskolnikov is personifying punishment as a force of arbiter itself. Good God Katerina cried with flashing eyes, is there no justice upon earth? Whom should you protect if not us orphans? Dostoevsky emphasises the theme of the lack of justice for children, predominantly orphans, throughout the novel. This attitude allows the reader to relate to the story as everyone is familiar with the concept of the life of an orphan. This is a particularly well chosen example due to the fact that it is difficult to find a concept where fairness and justice have meaning. You must fulfill the demands of justice. I know that you dont believe it, but indeed, life will bring you through. You will live it down in time. What you need now is sassy air, fresh air, fresh air The repetition of fresh air enunciates the urge for Raskolnikov to start a fresh. Fresh air is used as a symbol to portray the fresh air of hard labour in the Sibe rian prison house camp, which seems to be beneficial for Raskolnikov. This quote shows that Porfiry uses a metaphor to try Chindasook20 to convince Raskolnikov that by serving criminal justice, he can provide himself with a sense of personal justice, which will allow him to begin a new life. It was only in that that he Raskolnikov recognised his criminality, only in the fact that he had been unsuccessful and had confessed it. Although Raskolnikov never actually admits to regretting his actions of injustice before prison, there is a copious amount of evidence to argue an implied regret. Nonetheless, at this moment, the protagonist still views Alyona and Lizaveta as creatures instead of humans.This is shown through him stating his inability to bring a positive connotation to the murders, thus leading him to confessing, and establishing the murders as crimes as well as establishing himself as a criminal. Am I to get married simply for the sake of the furniture? Dostoevsky uses an nar ration to create a laughable affect to allow the reader to emphatise with Luzhin at this moment in the novel. This anecdote conveys the fact that Luzhin has gone through quite some trouble to set up a nice home for Dunya, however he wants her there as a slave, thus conveying the irony in the anecdote. He was one of the numerous and varied legion of dullards, of half-animated abortions, conceited, half-educated coxcombs, who attach themselves to the idea most in fashion only to vulgarize it and who caricature every cause they serve, however sincerely. They Raskolnikov and Sonia were renewed by love the heart of each held infinite sources of life for the heart of the other. Chindasook21 This quote shows juxtaposition from the rest of the novel. Dostoevsky gave the audience the ending that was hoped for, and accentuated the motif that there is hope for everyone in the end. Furthermore, this also enunciates the strength of the draw that Raskolnikov and Sonya have for each other, and t hat Sonya was faithful and had been willing to suffer and wait for the only man she truly loves. There is nothing in the world more difficult than candor, and nothing easier than encomium. If there is a hundredth of a reckon of a false note to candor, it immediately produces dissonance, and as a result, exposure.But in unconditionaltery, even if everything is false down to the last note, it is still pleasant, and people will listen not without pleasure with coarse pleasure, perhaps, but pleasure nevertheless. Svidrigailov is exceedingly competent in the ways of seduction, and his actions horrify Raskolnikov. Dostoevsky uses juxtaposition in the phrase to accentuate the difference between flatter(prenominal)y and candor, and the irony in which people tend to appreciate flattery more than candor, even if they realise that flattery is just a way of trying to get someone to do something that one desires. But at the same time he knew now and knew for certain that, although it filled her with dread and suffering, yet she had a tormenting desire to read and to read tohimthat he might hear it, and to readnowwhatever might come of it This quote may seem very ambiguous at first glance, however, it further accentuates Sonyas symbolism to suffering, as even a simple task of reading to Raskolnikov causes her to suffer. She is portrayed to be terrified of reading to him yet she badly wants to do so. This also Chindasook22 further accentuates Sonyas love for Raskolnikov as she tries her best to please him. Furthermore, since Raskolnikov was one of Sonyas begets only friends at the end of his life, she can also share in mouring her father by reading o Raskolnikov. I am all over covered with blood When Raskolnikov talks to the police magistrate, he means both literally and figuratively. He had just helped out with Marmeladovs accident, which covered him in blood, and was figuratively covered in blood from murdering Alyona.Dostoevsky uses this to convey the internal conf lict in which Raskolnikov is experiencing, thus portraying irony, as he essentially comes very close to confessing to a police officer about his crime. Ive just been kissed by someone who, if I had killed anyone, would just the same in fact I maxim someone else there with a flame-coloured feather. Raskolnikov had just kissed Polenka, Sonyas sister, and this quote suggests Rasklnikovs attraction to Sonya. Sonya has made such a big impression on Raskolnikov as even when he kissed Polenka, he saw someone else there. Dostoevsky uses the metaphor of the flame coloured feathers to convey vivid imagery and imply that Sonya has remained in Raskolnikovs mind as an attractive person. I used to analyse myself down to the last thread, used to compare myself with others, recalled all the smallest glances, smiles and words of those to whom Id tried to be frank, interpreted everything in a bad light, laughed viciously at my attempts to be like the rest and suddenly, in the midst of my laughing, Id give way to sadness, fall into ludicrous despondency and once again start the whole process all over again in short, I went round and round like a squirrel on a wheel. Chindasook23 Dostoevsky uses a simile at the end of this quote to emphasise the infinite round of drinks that the protagonist experiences through being trapped by comparison. The phrase used to conveys the fact that he is now looking back on his nix thoughts and reflecting on the type of person he used to be, suggesting that he has now moved on from this point in life.The irony in the phrase laughed viciously at my attempts to be like the rest further emphasises that he felt innately excluded from the rest of society, and the juxtaposition between laughing and sadness further accentuates the idea in which Raskolnikov is at the two extremes of insanity, implying that he was not like everyone else. I do not withdraw from my chief point. It is me or Luzhin. If I am a scoundrel, you must not be. One is enough. If y ou marry Luzhin, I cease at once to look on you as a sister. Raskolnikov takes on the stereotypical role of the protective big brother in this instance. He believes that his sister deserves better than Luzhin, which also implies that he furtively believes that no one is good enough for his sister. His egocentric behaviour also suggests he believes that his sister is doing this for the sole purpose of alleviating his suffering and thus feels like he is responsible for his sisters suffering in the future. I amRodionRomanovitchRaskolnikov,formerlyastudent, IliveinShilshouse, not farfromhere,flatNumber14, ask the porter, heknowsme. Raskolnikovsaidallthisin alazy, languidvoice, notturninground, butlookingintentlyintothe darkeningstreet. This quote foreshadows Raskolnikovs descend into the guilt that the murder has caused him. Dostoevsky uses the darkening street as a metaphor to convey that the future that lies ahead for Raskolnikov is a dark and unsettling place, and he needs to find a way to get out of it. Moreover, the fact that Raskolnikov answers the answers the question in a very lethargic way Chindasook24 implies that he has not yet realised the extent of his actions, and the word dreamy suggests that he does not believe that this is reality yet.There was lack of precaution on both sides, however, for Porfiry Petrovitch seemed to be laughing in his visitors face and to be very little disturbed at the annoyance with which the visitor received it. The latter fact was very significant in Raskolnikovs eyes he saw that Porfiry Petrovitch had not been embarrassed just before either, but that he, Raskolnikov, had perhaps travel into a trap that there must be something, some motive here unknown to him that, perhaps, everything was in readiness and in another moment would break upon him . . As Raskolnikov discloses to Porfiry that he realises the type of cat and mouse endorse that he is playing, Porfiry attempts to detain Raskolnikov by evealing that he knows thin gs about the protagonist, such as his trip to the crime scene. This suggests that Porfiry presumably knows more that he lets on, and has the authority to sweep through Raskolnikov at any time, thus implying that Porfiry is doing this out of a sincere relish for Raskolnikov and to make the protagonist aware of the error in his theory. It matters nothing, sir. This wagging of heads does not discountenance me, for all these things are already known to everybody and all secrets are revealed, and I bear myself in this matter with humility, not with scorn. Suffer them, suffer them lay eyes on the man Allow me to ask, young man, can you . . . say with conviction that I am not a swine? Dostoevsky portrays many allusions through the character of Marmeladov, he seems to be the connection of the story to biblical parallels. Many lines in this quote correlate with biblical parallels, as in the paradox of the Christian story, it is when Marmeladov has nothing left which is the moment that he puts his faith in the hands of God. Chindasook25 No, Dunechka, I see it all, and I know . . . what you were thinking of, while you paced the room all night, and what you prayed for, kneeling before the icon of Our Lady of Kazan in mamas room. The way to Golgotha is hard Dostoevskys story contains a sacrificial victim obtaining money earned from public degradation of her body.Sonyas oblation of her own body for a public offering creates an allusion which correlates to the bodily sacrifice of Jesus public death on the cross. Moreover, this biblical parallel is further accentuated by Raskolnikovs sister, Dunya, who intends to marry a terribly unsophisticated character, Luzhin, for the sake of her family. Svidrigailovs evil-doings could not be of the same kind. Here we see that Raskolnikov is confused, after his confession to Sonya, the protagonist is suddenly drawn to Svidrigailov without realising that he represents an aspect of the protagonists character. Svidrigailov has recurrent ly affirmed that they had something in common, thus making Raskolnikov feel as if they have a bond, even though he despises Svidrigailov for his flirtatious ways.However, this thought made Raskolnikov rather repulsed by thinking of Sonya, as he feels for her differently than how Svidrigailov treats his women, and eventually attempts to convince himself that even though he murdered someone, they sin differently to each other as Raskolnikov still is able to experience the feelings of love for another being. Chindasook26 He is morose, gloomy, proud and haughty, and of late and perhaps for a long time before he has been suspicious and fanciful. He has a noble nature and a kind heart he does not like showing his feelings and would rather do a cruel thing than open his heart freely. . . Its as though he were alternating between two characters. In a morbid condition, dreams are often rarified by their remarkably graphic, vivid, and extremely lifelike quality. The resulting generate is sometimes monstrous, but the setting and the whole process of the presentation sometimes happen to be so probable, and with details so perspicacious, unexpected, yet artistically consistent with the whole fullness of the picture, that even the dreamer himself would be unable to invent them in reality, though he were as much an artist as Pushkin or Turgenev. Such dreams, morbid dreams, are always long remembered and produce a strong impression on the disturbed and already excited beingness of the person. Raskolnikov had a terrible dream. Such dreams, morbid dreams, are always long remembered and produce a strong impression on the disturbed and already excited organism of the person this indicates his guilt as well as inner turmoil to which morbid dreams disturb his sub conscious state. The resulting picture is sometimes monstrous, but the setting and the whole process of the presentation sometimes happen to be so probable, and with details so subtle, unexpected, yet artistically consistent with the whole fullness of the picture, that even the dreamer himself would be unable to invent them in reality. The horrors committed are so malevolent and wrong that it is hard to fathom as reality.The word subtle is an oxymoron as the deed itself is not subtle but manifests itself in dreams as a subtle sign of guilt. Chindasook27 What do you think? shouted Razumihin, louder than ever, you think I am attacking them for talking nonsense? Not a bit I like them to talk nonsense. Thats mans one privilege over all creation. Through error you come to the truth I am a man because I err You never reach any truth without making fourteen mistakes and very likely a hundred and fourteen. And a ticket thing, too, in its way but we cant even make mistakes on our own account Talk nonsense, but talk your own nonsense, and Ill kiss you for it.To go wrong in ones own way is better than to go right in someone elses. In the first case you are a man, in the second youre no better than a b ird. Truth wont fudge you, but life can be cramped. There have been examples. And what are we doing now? In science, development, thought, invention, ideals, aims, liberalism, judgment, experience and everything, everything, everything, we are still in the propaedeutic class at school. We prefer to live on other peoples ideas, its what we are used to Am I right, am I right? cried Razumihin, wardrobe and shaking the two ladies hands. The fact that raskolikov was watching her and following her at her heels indicates a perverse compulsion and fixing.His lingering on her actions and words suggests that not only is he in love with her, but there is also a deeper and darker side to his affections and alluded to in his passion towards her. The fact that the protagonist struggles to not lead on his interest also suggests that he is mentally and physically devoted to her an obsession of sorts as he has to remind himself and consistently restrain himself. Furthermore the fact that he w alked on more slowly as though waiting for something undermines his rampant desires, in truth, he walks slower to catch glimpses of Sonia his erratic mien is a result of his love and passion towards her. This is ironically shown through the tone and pace of his movement that is slow, in contrast to his emotions that are very much active.